A Writer's Journey

There is no greater agony than bearing an untold story inside you.

Maya Angelou

Music expresses that which cannot be said and on which it is impossible to be silent.

Victor Hugo

Wednesday, June 29, 2011

Writing Wednesday: Adverbs

I can't speak for all writers, but personally, I'm quite the wordy gal. I tend to over-describe, over-fluff, and add words that don't add any content or meaning to the story other than the fact that they're pretty and give better visuals. I didn't realize this at first, of course, being a new writer and all, and my first unfinished manuscript is a true testament to that. Lots of fluff. Content, not so much.

One of the reasons for this is my love of adverbs. And when I say love, that's an understatement. I used to stick them everywhere, usually after a dialogue tag to "enhance" what the speaking character is feeling/doing/saying/etc. It wasn't until I had gotten some awesomesauce CP's that I saw the downfall to an overage of adverbs.

Let's back up for a second. What IS an adverb, exactly? Well lucky for you, I just happened to have an example:

Rule 1.
Generally, if a word answers the question how, it is an adverb. If it can have an -ly added to it, place it there.

Examples:
She thinks slow/slowly.
She thinks how? slowly.

She is a slow/slowly thinker.
Slow does not answer how, so no -ly is attached. Slow is an adjective here.

She thinks fast/fastly.
Fast answers the question how, so it is an adverb. But fast never has an -ly attached to it.

We performed bad/badly.
Badly describes how we performed.


Example above, as well as other examples, can be found here.

It wasn't until I had someone read the chapters of my current WIP that I realized WHY the overage of adverbs can actually HURT the story, rather than enhance it. The reader's mind is systematically programmed so that we fill in the blanks to things that aren't there and provide the missing pieces to an otherwise unfinished puzzle.

It's called imagination.

If we deprive the reader of this chance to help mold in their mind what's going on in the story, what the characters are saying, how they're reacting to something or someone, and if everything described is showing them the HOW, it can cause their interest to wane because everything is already being given to them instead of allowing them to engage with the story on their own. Using too many of my beloved adverbs takes away from the story because the reader may subconsciously focus on these minute details instead of focusing on the story and losing themselves in the actual reading.

I have to admit, I was rather defensive at first when my CP Lori pointed out the majority of my beloved adverbs when she first started reading my chapters. But then I went back to all my favorite books and pored through them to kind of educate myself on what she was talking about and you know what? She was absolutely right. I never paid any attention to the adverbs or lack thereof when I was actually reading my favorite books, but that was because they were used only to enhance the story and never to overpower it. I was engaged in the STORY itself, and going over to read them from a writer's POV definitely helped me to understand some of the things that I still need to learn in my own writing process.

Have any of you ever had the same problem with overusing adverbs? Do you still do it? Why or why not?

Monday, June 27, 2011

Music Monday: Linkin Park - New Divide

I've seriously been lagging at this whole keeping up the blog thing, so I thought what could be better than having a themed post three times a week? *lightbulb* Starting off this week will be Music Monday and the first song I've picked is one near and dear to my heart.

This has literally been one of the songs playing on loop in my iPod because it so perfectly describes the mood I want to set within the current WIP I'm working on.

Linkin Park - New Divide



Lyrics

I remembered black skies
The lightning all around me
I remembered each flash
As time began to blur
Like a startling sign
That fate had finally found me
And your voice was all I heard
That I get what I deserve

So give me reason
To prove me wrong
To wash this memory clean
Let the floods cross
The distance in your eyes
Give me reason
To fill this hole
Connect the space between
Let it be enough to reach the truth that lies
Across this new divide

There was nothing inside
The memories left abandoned
There was nowhere to hide
The ashes fell like snow
And the ground caved in
Between where we were standing
And your voice was all I heard
That I get what I deserve

So give me reason
To prove me wrong
To wash this memory clean
Let the floods cross
The distance in your eyes
Across this new divide

In every loss, in every lie
In every truth that you deny
And each regret and each goodbye
Was a mistake too great to hide
And your voice was all I heard
That I get what I deserve

So give me reason
To prove me wrong
To wash this memory clean
Let the floods cross
The distance in your eyes
Give me reason
To fill this hole
Connect the space between
Let it be enough to reach the truth that lies
Across this new divide
Across this new divide
Across this new divide


What are some of your favorite songs to write to and why?